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<title>Flickers &amp; Tintypes</title>
<subtitle>Motion, one still at a time.</subtitle>
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<id>https://flickersandtintypes.com/</id>
<updated>2026-11-12T00:00:00Z</updated>
<entry><title>12 Principles of Animation: Lutz’s 1920 Rule for In-Betweens</title><link href="https://flickersandtintypes.com/animation-loops/12-principles-of-animation/"/><id>https://flickersandtintypes.com/animation-loops/12-principles-of-animation/</id><updated>2026-11-12T00:00:00Z</updated><summary>The 12 principles of animation, with slow in and slow out shown as a 30-frame loop, and the 1920 rule that a slower move needs at least three in-betweens.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>A Trip to the Moon: Méliès’s 1903 Catalog Lists 30 Scenes</title><link href="https://flickersandtintypes.com/early-cinema/a-trip-to-the-moon/"/><id>https://flickersandtintypes.com/early-cinema/a-trip-to-the-moon/</id><updated>2026-11-12T00:00:00Z</updated><summary>Per the Star Films catalog dated 1903, A Trip to the Moon ran about 845 feet in 30 listed scenes for $130. Scene 9 reads “Landed Right in the Eye!!!”</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Bouncing Ball Animation: In This Model, Most Frames Sit High</title><link href="https://flickersandtintypes.com/animation-loops/bouncing-ball/"/><id>https://flickersandtintypes.com/animation-loops/bouncing-ball/</id><updated>2026-11-12T00:00:00Z</updated><summary>How to space a bouncing ball animation: in this free-fall model, 9 of 12 falling frames sit above halfway and the gaps grow from 2 to 42 pixels.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Dream of the Rarebit Fiend: 18 Panels of One Bucking Car</title><link href="https://flickersandtintypes.com/comics-panels/dream-of-the-rarebit-fiend/"/><id>https://flickersandtintypes.com/comics-panels/dream-of-the-rarebit-fiend/</id><updated>2026-11-12T00:00:00Z</updated><summary>A 1907 Dream of the Rarebit Fiend board, read panel by panel: signed Silas, a McCay pseudonym per a Library of Congress note, with a street that barely shifts.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Gertie the Dinosaur: A 1914 Trade Notice Says ‘Dinosaurus’</title><link href="https://flickersandtintypes.com/early-cinema/gertie-the-dinosaur/"/><id>https://flickersandtintypes.com/early-cinema/gertie-the-dinosaur/</id><updated>2026-11-12T00:00:00Z</updated><summary>Per Moving Picture World of November 14, 1914, Winsor McCay’s hand-drawn Gertie was to be marketed as “the Dinosaurus” and reportedly got $350 for a week.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Hand-Colored Photographs: The Color Came After the Picture</title><link href="https://flickersandtintypes.com/photo-objects/hand-colored-photographs/"/><id>https://flickersandtintypes.com/photo-objects/hand-colored-photographs/</id><updated>2026-11-12T00:00:00Z</updated><summary>A hand-colored photograph is a one-color picture with color added by hand. An 1872 tintype manual says to color the plate once dry, ordinarily cheeks and lips.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Little Nemo: A 1906 Board Numbered Out of Row Order</title><link href="https://flickersandtintypes.com/comics-panels/little-nemo/"/><id>https://flickersandtintypes.com/comics-panels/little-nemo/</id><updated>2026-11-12T00:00:00Z</updated><summary>How to read a Little Nemo in Slumberland page: McCay’s board dated Oct. 14, 1906 numbers its 8 panels. After panel 4 they send you down to 5, not across to 6.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Phenakistiscope: A Spinning Disk You Watched in a Mirror</title><link href="https://flickersandtintypes.com/animation-loops/phenakistiscope/"/><id>https://flickersandtintypes.com/animation-loops/phenakistiscope/</id><updated>2026-11-12T00:00:00Z</updated><summary>A phenakistiscope is a slotted disk spun before a mirror and watched through its slits. Count the slits and figures on a Vienna disk from about 1840.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Real Photo Postcard: The Back Dates the Card, Not the Photo</title><link href="https://flickersandtintypes.com/photo-objects/real-photo-postcards/"/><id>https://flickersandtintypes.com/photo-objects/real-photo-postcards/</id><updated>2026-11-12T00:00:00Z</updated><summary>How to date a real photo postcard from its back: what the postmark, the stamp and a divided back can date, read against the 1907 US postal rules for post cards.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Speech Bubbles: Gillray Was Drawing Them in 1792</title><link href="https://flickersandtintypes.com/comics-panels/speech-bubbles/"/><id>https://flickersandtintypes.com/comics-panels/speech-bubbles/</id><updated>2026-11-12T00:00:00Z</updated><summary>A speech bubble holds spoken words in an outline that points to the speaker. A Gillray print of 21 December 1792 has two by this site’s count, one per panel.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Stereograph: Twin Photos Shot a Couple of Inches Apart</title><link href="https://flickersandtintypes.com/photo-objects/stereograph/"/><id>https://flickersandtintypes.com/photo-objects/stereograph/</id><updated>2026-11-12T00:00:00Z</updated><summary>A stereograph is two photos of one scene taken a couple of inches apart, per an 1859 essay. On one Broadway card, the nearest pillar moves 29 px between halves.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>The Great Train Robbery (1903): Edison’s Movable Close-Up</title><link href="https://flickersandtintypes.com/early-cinema/the-great-train-robbery/"/><id>https://flickersandtintypes.com/early-cinema/the-great-train-robbery/</id><updated>2026-11-12T00:00:00Z</updated><summary>Edison’s 1903 catalog let the operator put the bandit’s close-up at the start or the end. One public-domain copy, walked scene by scene with timecodes.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>The Horse in Motion: Two Frames With No Hoof on the Track</title><link href="https://flickersandtintypes.com/animation-loops/the-horse-in-motion/"/><id>https://flickersandtintypes.com/animation-loops/the-horse-in-motion/</id><updated>2026-11-12T00:00:00Z</updated><summary>Muybridge’s 1878 Sallie Gardner card, frame by frame: in frames 2 and 3 no hoof touches the track, and the legs are gathered under the body, not stretched out.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Tinting and Toning: A Tone Alone Leaves the Highlights Clear</title><link href="https://flickersandtintypes.com/early-cinema/tinting-and-toning/"/><id>https://flickersandtintypes.com/early-cinema/tinting-and-toning/</id><updated>2026-11-12T00:00:00Z</updated><summary>Tinting vs toning, per Kodak’s 1918 handbook: a tint dyes the whole frame, highlights too; a tone colors only the silver image, so the highlights stay clear.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Tintype: A London Label Priced 36 Tiny Portraits at 2s. 6d.</title><link href="https://flickersandtintypes.com/photo-objects/tintype/"/><id>https://flickersandtintypes.com/photo-objects/tintype/</id><updated>2026-11-12T00:00:00Z</updated><summary>A tintype is a portrait made in the camera on black-japanned iron. Labels on the backs of museum tintypes show studios selling tiny gems by the dozen.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
<entry><title>Zoetrope: An 1834 Paper Said a Whole Room Could Watch It</title><link href="https://flickersandtintypes.com/animation-loops/zoetrope/"/><id>https://flickersandtintypes.com/animation-loops/zoetrope/</id><updated>2026-11-12T00:00:00Z</updated><summary>How a zoetrope works: slits times turns per second gives images per second. Horner named the open drum the Dædaleum in 1834; later patents are dated per Lutz.</summary><author><name>Flickers &amp; Tintypes</name></author></entry>
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